10 Tips for Cultivating Creativity in 2010

Early Spring Majesty

Get up and get out of your comfort zone.

  1. Use a lens that you don’t often use.  For instance, if you shoot wide-angle landscapes, try a landscape with a telephoto.  If you shoot wildlife with a telephoto, try shooting wildlife with a macro (probably smaller wildlife).
  2. Use a different filter. (Physical or Photoshop)
  3. Shoot from your belly.
  4. Shoot in different light.  Shoot into the sun, in midday light, in diffused light, in fog.
  5. Shoot a different subject.  If you normally shoot landscapes, shoot portraits, if you shoot portraits, shoot wildlife.
  6. Shoot different angles.  Shoot horizontally, vertically, diagonally, up, down.
  7. Shoot with minimal Depth of Field by choosing the largest aperture on the lens (i.e. f/2.8, f/4, etc.).
  8. Shoot everything out of focus.
  9. Photograph with a friend and look through each other’s viewfinder/screen.
  10. Stop reading this and get out!

How to Get Sharp Enlargements: Breaking the Megapixel Myth

Last Light At Maligne Lake

Myth: More megapixels will always lead to a sharper enlarged image.

This is without a doubt the greatest myth perpetuated by the camera industry today.  Marketing tells us more megapixels=better camera.  Back in the film days there were only a few choices, 35mm, 4×5, 8×10, 110, etc. In those days, (with a few exceptions, of course) the film size DID dictate how far an enlargement could be taken.  I remember years ago taking my 35mm black and white film that I had developed in the dark room and making test strips, then enlarging it to 6×9 and then to 11×14.  The sharpness of the image would begin to break down around that point.  The three main things I had to remember in achieveing the sharpest, largest prints in those days was 1: Shoot big film. 2: Proper focus when taking the photograph and 3: A grain finder.  For those of you who don’t know what a grain finder is, well, let’s just say its the equivalent of 100% zoom in Photoshop.

So, if larger film led to sharper, larger enlargements, shouldn’t more megapixels do the same thing?  I mean after all all those technical sites speak about resolving power and lines per inch and its always better bigger - right?

Well, the answer is somewhat elusive and lies in three basic parts.

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Dreams Go On

The last in the unofficial “Missing the Mountains” series.  This image was captured atop a hill in Banff National Park right off the Glacier Lake trail.  It as a quiet evening as the clouds rolled through, turning all colors of pink and purple during sunset before fading into night.

Technical Details:
Canon 5d, 17-40 f/4l @ 33mm, f/14, 1.4 sec.
Banff National Park, Alberta, Canada

This image can be viewed on my website at: http://www.journeyoflight.com/journey06/photo.asp?pictureid=DreamsGoOn&xmlfile=/journey06/xml/color/northwest.xml&x=9

Photography and Fine Wine

While young, most people favor big and bold - the bigger, the bolder, the better.  We want that “Pow!” factor that forces us to stop and take notice, sports, cars, music, - all items that must be the biggest, the loudest, the “best”.  Everything becomes eXtreme, and a quick flight from one big adventure to the next.  It is certainly not uncommon for this pursuit to include alcohol, thus seeking out the strongest beers, the strongest liquors, and the strongest wines.  It soon becomes that the goal is to overindulge and to press the limits, taste at this point is almost irrelevant. 

As we age, many find that their tastes change, and find that there is much joy in the small intricacies.  Some become more selective and realize that there are other enjoyable factors beyond alcohol content.  An awareness of the nuances of a great bottle of wine - the color, texture, the small attributes that make it palatable, it becomes something to savor.  To accentuate the “essence” of the ingredients many fine wines must be opened and “breathe” for a time before consumption.  The goal is now subtly and taste, a slow, deliberate experience.

As photographers pursue their art, many have found a parallel their development.  In the beginning there is the goal of photographing that “Pow!” factor - big, bold, and dramatic.  The journey becomes a where one large landscape image leads to another leaving the photographer a grand scenic alcoholic.  In the end it is about getting that one shot, it’s not about journey.

As these photographers review their goals and work, they consciously or unconsciously make a realization and admit that they have a compulsion for nothing less than the slap you in the face, yelling to the world, almost belligerent images.  This breakthrough can facilitate a change – joy is found in the simple things, spurring a desire a different kind of image, a different type of photograph.  These are compositions that when processed and opened to “breathe” are more and more desirable with each viewing.  These are the images that are now allowed to age and become even better with time.

So am I insinuating that there is something wrong with bold, grand, large, impressive?  Not at all, there is room for all types of alcohol and of course, photographs.  One can have the wide-angle “Hey everyone look at this, isn’t this cool!” type of photograph, but there is a place for the close-ups, the small nature scenes, and the contrasts, shadows, and patterns studies.   I have come to feel that as I have aged the old adage holds true - everything in moderation.  Now where did I put that beer?

Technical Details:
Canon 5d, 70-200 f/4l @ 70mm, f/8, 1/125 sec.
Kananaskis Country, Alberta, Canada

This photograph can be viewed on my website at: http://www.journeyoflight.com/journey06/photo.asp?pictureid=ForestFocus&xmlfile=/journey06/xml/color/northwest.xml&x=18

Greet the Day

A cool breeze blows across the cool stream.  The sounds of soft babbling as the water rushes down the rocks and into the distance, while the warm colors of morning dance upon the undersides of the clouds.  Sunlight briefly finds a small opening to illuminate the jagged peaks, creating a fire red stripe.  The day is just beginning and I am here to greet it.

Technical Details:
Canon 5d, 17-40 f/4l @ 17mm, f/13, 1.3 sec., 2-stop soft Singh-Ray Filter
Kootenay Plains, Alberta, Canada

This photograph can be viewed on my website at: http://www.journeyoflight.com/journey06/photo.asp?pictureid=GreettheDay&xmlfile=/journey06/xml/color/northwest.xml&x=27

Below the Moon

Continuing on with my “Missing the Mountains” series, today’s image was another that was hiding out in the archives.  Departing from the wide-angle, this image is one of those long lens “Landscape” photos.  I had previously processed this image and had never really liked the results, nor the composition - it seemed to “simplistic”.  This time, though my mood has changed and I feel the simplicity is what makes this image. 

Technical Details:
Canon 5d, 300 f/4l + 1.4tc, f/11, 1/250 sec.
Kootenay Plains, Alberta

This image can be viewed on my website at: http://www.journeyoflight.com/journey06/photo.asp?pictureid=BelowtheMoon&xmlfile=/journey06/xml/color/northwest.xml&x=18

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