Photo Friday: Morning Over Moraine

Since the winter hasn’t really come yet, I feel the need to go back to my Rocky Mountain National Park, Colorado photographs I captured in May just to get something wintry. Yes, May for a winter feel photo and 50s for January in Nebraska. Different for sure.

Technical Details:
Canon 5D Mark II, 24mm f/3.5L TS-E Lens, f/11, 1/3 sec., 2-stop Singh-Ray Soft Grad
Rocky Mountain National Park, Colorado

An End of Year Retrospective for 2011 – The Top 11 Images of ’11

Following the lead of my An End of Year Retrospective for 2010 and An End of Year Retrospective for 2009I am presenting my favorite images of 2011. These have been mainly chosen not only because I personally liked the image, but in many times because of my experience while capturing the image.

I begin with one of the first images I captured in 2011, an image of Boyer Chute National Wildlife Refuge. This made the list for two reasons, first, because of the flooding of the Missouri River, Boyer Chute has not been accessible and I am not even sure how it will look. Second, this was the first image I made with my Tilt/Shift 24mm TS-E II and it really showed me how much fun I was going to have with that lens.

This image almost didn’t happen. As I mentioned in my post from July, I don’t normally capture agricultural scenes, but as I was driving to my destination, I couldn’t help but stop and capture this image. The wheat, the clouds, the silos all just seem to come together.

This image made the list for a similar reason as the previous entry, I was driving on my way somewhere, saw these two horses hanging out in a field and I stopped and made a quick image. Later, upon review, I found that I liked the composition and the poses the horses had.

I included this image because it was a little outside of my norm of shooting, much like “Almost Harvest”. Due to high winds across the prairie at Ft. Niobrara National Wildlife Refuge, these tumbleweeds had piled up against a long fence. I liked the contrasts and patterns and decided to spend a little time, probably almost 2 hours, working various compositions. Although I captured a few I liked, this was the one that resonated with me the most.

Every Time I go to central or western Nebraska, I have to shoot the Milky Way. Toadstool Geologic Park lends itself well to this type of photography, so naturally, I had to take advantage of the opportunity.

This photograph made the list, well, because pheasants are darn hard to shoot and I feel like it came out pretty well!

This image made the list because I wanted a unique perspective on Snake River Falls in Nebraska. I found this high vantage point after searching and hiking for a bit. Additionally, because of new developments, Snake River Falls is endanger of no longer being publicly accessible, so this could potentially be the last image I capture of it.

Forty mile per hour winds, pelting sand, lousy light, everything seemed to be against me for this image. Then, only 10 minutes prior to sunset, clouds rolled in and the sun’s light shot out from behind with a beautiful intensity. It’s good to be patient.

Fog, trees, contrasts, shadows and patterns, I like the simplicity of this image.

After walking about a mile in waist deep snow before sunrise, the sun finally crested the horizon and bathed snow covered Rocky Mountain National Park and Long’s Peak in warm light.

Lastly, after a spring snowstorm came through Rocky Mountain, I ventured to Moraine Park and waited for sunrise. The light was good and by using my Tilt/Shift I was able to shift for greater detail. That’s when a plan really comes together – good plan, great weather conditions and cooperative gear!

Website Updates

While I’m always adding new work to my website, sometimes its hard to find the recent images. Usually, I just place new items into the galleries in areas that I think make sense and when I do thumbnail reviews they usually make sense – to me. A common feature of many photography websites is a new work gallery, so I have added it. To view my most recent photos be sure to check it out – Go to the Photography Galleries link and click on the “Recently Added Photos” section. You might even spot a new image or two (such as this Steller’s Jay Photo)!

Technical Details:
Canon 50D, 300 f/4l + 1.4tc, f/5.6, 1/320 sec.
Rocky Mountain National Park, Colorado

Photo Friday: In The Light Of A New Day

In January and February I reported that I had acquired a new lens – the Canon 24 TS-E II f/3.5L. I made a complete report regarding the capabilities of this lens in my post Photo Friday: Winter Prairie Sunset. On my May trip to Colorado I was very excited to try out the capabilities of the lens. I’ve mentioned using the tilt feature on some images from Colorado, but in today’s post I utilized both the Tilt (for DOF) and the Shift (for stitching). To capture this scenic winter landscape, I knew I had to place the lens horizontal as a panoramic created by using a vertical shift might be distorted by the moving water as panoramic stitching often has issues with movement. Horizontally, the water and movement would be in one frame and the sky in another. I started with the lens centered on my image – that is the mountains were placed exactly center on my composition. I then tilted the plane of the lens until everything was in focus. It was at this point that I placed my filters and shifted the lens down. I captured the first image and then shifted the lens up, careful to make sure there was some overlap in the image and then capturing the second image.

Back in Photoshop I merged the two into one big 36 megapixel image. This makes an astounding large print due to the ability to tilt, the sharpness of the lens, and the added megapixels. While I would love every image to be like this one, the right conditions definitely presented themselves for this capture. I must say, this is one of my favorites of the trip, not just for the beautiful scene that nature gave me, but also for everything falling into place technically. Really, I recommend this lens to anyone wanting to capture grand landscapes, but it takes time and patience to understand all the nuances of the lens.

One added bonus – people are sometimes looking for a horizontal or vertical representation of a scene for a particular use. This image has the benefit of being a 24 megapixel vertical (2:3 ratio) photograph

or a 20.5 megapixel (2:3 ratio) horizontal.

Not bad for offering choices!

Technical Details:
Canon 5D Mark II, 24 TS-E II f/3.5L, f/14, .5 s, 3-stop ND-Soft Grad, 2 images stitched
Rocky Mountain National Park, Colorado

Photo Friday: Hunting for Breakfast

For today’s Photo Friday, I’ve decided to switch it up a bit and post a wildlife image from Colorado. As I have mentioned before, I crossed paths with numerous coyotes. I really wanted to capture one hunting and had my opportunity on one of the last days of the trip. In this image, the coyote attempted to pounce on his prey, only to find that the little critter had quickly descended into his hole. Not one to give up yet, he started digging into the opening a bit. This didn’t last long, however, and he left defeated, but it was certainly a great spectacle to watch.

Technical Details:
Canon 50D, 300 f/4l + 1.4tc, f/6.3, 1/640 sec.
Rocky Mountain National Park, Colorado

Photo Friday: Giants Obscured

As I mentioned last week, this post is an image of the area near Dream Lake after a night of heavy snowfall received in mid-May in Rocky Mountain National Park. This location is not far from the previous image, maybe normally a 10 minute walk, but in the deep snow, it took about a half hour. While I did make it all the way to the lake itself, it was nearly completely covered in snow and the conditions prevented me from setting up my tripod. By walking back a little bit, I found this enclave which allowed me to grab some images of the fierce weather conditions and the peaks of Hallet and Flattop as they appear, slightly obscured from the blowing snow.

Technical Details:
Canon 5D Mark II, 17-40 f/4l @ 40mm, f/9, 1/320 sec.
Rocky Mountain National Park, Colorado

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