Photo Friday: Ice Trees

Ice Trees

After skipping the last two Photo Fridays I have returned with an image I captured a couple of weeks ago at Boyer Chute near Ft. Calhoun, Nebraska.  I hiked into the refuge and found a grove of cottonwoods tipped with hoarfrost.  I spent some time photographing the patterns and contrasts through the trees.  This image was taken about 20 minutes before sunrise when the cool blue of twilight dominated the prairie.

Technical Details:
Canon 5d Mark II, 70-200 f/4l @ 200mm, f/8, 1/15 sec.
Boyer Chute National Wildlife Refuge, Nebraska

A Lamentation to the Unprepared (Namely Me)

DeSoto Coyote

Coyote, why must you vex me so?  How did you know that my 1.6 crop camera, and large lens were in my car across the large frozen lake?  Why must you continue to walk towards me?  Is it a sign of defiance, knowing that I cannot capture you as large as life?  Why? Oh why?  No, don’t disappear into the woods, stay and play on the solid water while I go and get my gear… 

As much as I hate to say it, I was utterly unprepared for this coyote encounter.  For years I had a trusty green photo backup that managed all my gear.  In it I would carry my full frame camera, a crop camera, and an assortment of lenses, including my 300 f/4l and 1.4 tc combo.  About 3 months ago, my photo backup zipper broke and I have been using an awesome shoulder case that I mainly use for brief excursions, but it only carries my full frame camera and shorter lenses.  Normally, I had been carrying my 50D + 300 f/4l + 1/4tc (672mm effective) combo by hand, but as I was to cross a frozen lake I didn’t want to chance falling and dropping it.  Sure, I’ve got my eye on a new backpack, but like many of us, I have decided to cut back on “unnecessary” expenses.  Besides, it’s been a nice treat on my back and knees paring back a bit and carrying less, so all I had was a 5D Mark II and a 70-200 f/4l lens (100% Crop Above).  A lesson to all that read, heed the Boy Scout motto, “Be Prepared”.  And Still…

Coyote, why must you vex me so?

February 2010 Computer Desktop Wallpaper

February 2010 - 1024x768

With a new month comes a new free wallpaper!  This month’s selection is “Cold Fire”.  To use the computer wallpaper for February 2010, click on the image that correlates with the resolution of your monitor and then right-click on the subsequent image and choose “Set as desktop” (or wallpaper).

February 2010 - 1024x768
1024×768

February 2010 - 1280x1024
1280×1024

February 2010 - 1440x900
1440×900

February 2010 - 1600x1200
1600×1200

February 2010 - 1920x1080
1920×1080

The Photographer’s Luck

Cold Cottonwoods - Hoarfrost on a Cottonwood Stand, Boyer Chute NWR, Nebraska

“Wow, you must have been lucky to see that!”, “That was lucky you had your camera ready at that exact time!”, or “Did you feel lucky when you saw that?!” are all sentiments I’ve heard voiced at shows and exhibitions to myself and other photographers. Are photographers really “lucky”? While I am happy to have witnessed some of the beauty offered by this earth, this word is perhaps used too freely amongst some of these individuals.

Andrew Fleming, a Scottish researcher, leaving for vacation, left some petri dishes out in his lab containing strains of the staph bacteria. Upon his return he noticed that in one dish one of the staph strains had died near where a mold had taken over. Recognizing the benefit of being able to create a substance to combat bacteria, he worked for years exploring this discovery. The mold he discovered was later termed “Penicillin” and the the modern antibiotic age was born. Of course, many might say he got “lucky”, but in fact he had the knowledge and experience to recognize the implications of what he found. It took years of hard work and dedication, but his serendipitous discovery could have been lost on a less inclined mind.

Seneca, a Roman philsopher is quoted, “Luck is what happens when preparation meets opportunity.”  Pratice, patience, planning, education, all go into building an artist’s preparation for when opportunities arise and these opportunities do not come readily. For example, a photographer who wants to capture the morning sun on a particular mountain peak must research sunrise times, angles, weather conditions, and ascent routes. Once all this information is compiled and processed the artist can then prepare equipment, dress appropriately and ascend the slope to gain the opportunity for a beautiful alpenglow shot. Upon arriving, more preparedness is then required compose the shot, utilize the appropriate filters, and later process the shot to its fullest extent.

Creating art forces artists to observe to the world in a more detailed manner. With more observeration comes a greater the apprecation of the gifts of the this world. An artist’s main goal is to share the beauty that comes from the heart and imagination and this requires dedication and preparation. The thrill of capturing beauty could be perceived as luck, but the end result is a greater realization of the gifts we have. As for the gifts I have?  I agree, I am lucky.

Technical Details:
Canon 5d Mark II, 17-40 f/4l @ 25mm, f/8, 1/13 sec.
Boyer Chute National Wildlife Refuge, Nebraska

Photo Friday: Twilight Blue

Twilight Blue

Taken at twilight from the tower at Platte River State Park in Nebraska after a fresh snow.

Technical Details:
Canon 5d Mark II, 70-200 f/4l @ 200mm, f/8, 1/60 sec.
Platte River State Park, Nebraska

Growing an Artist-tree

Artist-Tree

The tree is symbolic of an life of artist. The trunk is the base, the basics, knowledge and experience of the craft. The branches symbolize our various creative endeavours within that craft. Some of those branches are older and stronger and support many smaller branches, some are new and budding, while others are dying. Sometimes we must trim away those dead sticks so that we can encourage new growth. As the years pass, we may try to guide the path of these branches, but often there is a randomness that we cannot predict.

Our inspiration waters and feeds the artist-tree. Sometimes it rains and beautiful buds burst into being. Sometimes its winter and the tree waits quietly for the spring thaw. If we do not tend to the tree, it withers and the branches become brittle, but hopefully we can return and resume the care to save its precious nature.

Nurture and love your artist-tree. Let inspiration wash over it and allow the creative branches to reach to the sky. And remember: visit it often.

Technical Details:
Canon 50d, 300 f/4l + 1.4tc, f/6.3, 1/160 sec.
DeSoto National Wildlife Refuge

5 of the Most Ridiculous Excuses to Buy More Camera Hardware

Fractured Glass

#5 But honey, I need to be able to photograph our vacation!

#4 But honey, I need to take better photographs of the children!

#3 If I could just get a little wider/longer I would have been able to get that shot!

#2 This will make my photographs better than Adams/Rowell/etc.!

#1 I’ll finally be able to sell my photographs!

Technical Details:
Canon G10
Platte River State Park, Nebraska

Tips for Cold Weather Photography

Ice Blue

Cold weather photography brings purifying white snow, ice kissing the grasses and trees, and of course the crisp, cool (or cold!) air.  Additionally, it usually drives away the crowds and makes for some great one on one time with nature.  Of course, in order to enjoy this there are a few items to keep in mind to keep you comfortable and safe!  I’ve placed the items of personal safety above the photography items.  Remember, if you’re not safe then it’s not a good idea to be out shooting!

1. Wear clothing that wicks away or repels moisture.  Leave those blue jeans and cotton socks at home!  Nothing is more miserable than trudging through snow and having it melt into cold water as soon as it warms up.  Additionally, wearing shirts that absorb sweat only cause your temperature to drop, which could be dangerous.  Ideal fabrics would be wool, Under Armour, fleece, and Gore-Tex.  When I’m out in the frigid weather, I pull on an Under Armour top and pants, fleece pants, wool socks, and then some Gore-Tex pants on top of that. 

2. Wear appropriate shoe wear.  Get some waterproof, breathable snow boots.  Cold, wet feet make for a shivering time, and could increase your chance of getting frostbite.  Is getting the shot worth losing your toes?

3. Wear a hat.  Seems basic enough, most of the heat of our bodies escapes through our heads so use your head!

4. Wear gloves.  In some conditions frostbite can set it very quickly.  Without fingers capturing photographs can be difficult!  One of the basic problems of photography is that gloves make it hard to change the controls on your camera.  This is something that plagued me for years.  I used to wear thin gloves that would allow better finger mobility, but this caused them to get cold too soon and once your hands get cold, its difficult to rewarm them in thin gloves.  I then got a another pair of gloves to put over those gloves so I could take off the top pair only when needed.  While this worked ok, I really found that finding gloves that grip well were my best bet.  I got a pair of Thinsulate gloves with some nice grip that allows me to work every aspect of my camera without removal, of course this took some trial and error.  If you must have the thin gloves to have better control, get the two pair of gloves as I have mentioned, but use a hand warmer between the two layers.

5. A good time for any occasion, bring a complete extra pair of clothes in your vehicle.  You never know what may happen that may force you to change your wear.  There have been times I couldn’t tell the end of a stream or shore under the snow and happened to step through the ice and drench my feet.  The extra pair of boots and socks came in handy!

6. Another good anytime tip, prepare your equipment prior to exiting your vehicle.  Minimize the snow and moisture that gets into your bag by knowing where to quickly reach what lenses, filters, etc. you need. 

7. Have a travel umbrella.  Good for rain or snow, this keeps droplets off your lens.  If those stray flakes and drops hit, keep a cloth lens cleaner handy.

8. Bring Ziploc bags.  Besides being able to be used to protect your gear in the cold when conditions arise, if you exit and enter your vehicle often, condensation on your equipment can occur.  By placing your camera in a bag prior to entering your car, you can keep that condensation off your lens and prevent fogging.

9. Cover the legs of your metal tripod with insulation.  This prevents loss of heat from your hands when you are carrying or otherwise moving your tripod.

10.  Buy a spare battery and keep it in a pocket close your body.  Cold weather drains a battery about 2-3 times faster than mild temperatures.  Most good winter coats have pockets on the inside which work fabulously for this purpose.  Additionally, keep a spare memory card in those pockets. 

11.  If metering evaluative, expose 1.5-2 stops above the recorded scene to properly capture snow.

12.  Drink something warm before enjoying the cold weather!

Technical Details:
Canon 5d Mark II, 50 CM, f/11, 1/80 sec.
Platte River State Park, Nebraska

Belated Photo Friday: Cold Fire

Cold Fire

For the past couple of Friday’s I haven’t included a Photo Friday photograph, mainly due to the holidays. Today, I am presenting my first image of the year. Taken at Boyer Chute National Wildlife Refuge after quite a bit of snow in some balmy -12 degree temps. Crisp and cold!

Technical Details:
Canon 5d Mark II, 17-40 f/4l @ 17mm, f/13, 1/4 sec., 2-stop Hard Singh-Ray ND-Grad
Boyer Chute National Wildlife Refuge, Nebraska

This photograph can be viewed on my website at: Cold Fire - Snow and Sunrise at Boyer Chute National Wildlife Refuge

Omaha Holiday Lights Festival - 2009

2009 Holiday Lights Festival

I don’t usually get a lot of time to photograph the city, but every year I make it a point to go to downtown Omaha and photograph the holiday lights that the city places on the trees throughout the mall. On each visit I attempt to make a photograph from a new location or a new perspective. This year was particularly spectacular as we got over a foot of snow dumped on us. I headed down right after the snow and before many people had walked through so that I could get a shot without any footprints. I was the first to make the prints, but of course, when I was done my feet were very cold, but my car was close.

Below are links to previous year’s images. It’s always fascinating to see how the city has changed.

Technical Details:
Canon 5d Mark II, 17-40 f/4l @ 17mm, f/9, 2.5 sec
Omaha, Nebraska

This photograph can be viewed on my website at: Holiday Lights Festival - 2009

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