Photo Friday – Wary Witnesses

Badlands National Park is a playground of shapes and forms, patterns and colors. Whenever I visit I explore these rock formations with a longer lens to capture a more intimate view of the park. The light was especially nice on this morning giving a warm pre-sunrise glow. To see what this area looks like from a wide-angle lens check out Morning Illumination taken 2 years previously. On the right side of that image you can see the area on which I chose to focus for today’s post. I also decided on the panoramic view because I felt the wide horizontal lent itself well to exploration of the shapes and colors in this image.

Technical Details:
Canon 5D Mark II, 70-200 f/4l @ 127mm, f/9, .6s
Badlands National Park, South Dakota

Photo Friday: Pronghorn Pose

Today is my last post of the year and with that I leave you with one of the most graceful creatures on earth, the pronghorn antelope.

As for next year, I wish everyone a happy, prosperous, and inspirational 2012!

Technical Details:
Canon 50D, 300 f/4l + 1.4tc, f/6.3, 1/1600 sec.
Wind Cave National Park, South Dakota

Photo Friday: Badland’s Sentinel (B+W and Color)

For Photo Friday I present an image taken in 2009 on a trip to Badlands National Park.  Badlands is one of my favorite National Parks, not only for the stark terrain, but also because it is my closest National Park (it beats Rocky Mountain by a mere 100 miles).  I captured this image in the Sage Creek area of Badlands and have attempted to process it several times, but never quite captured the feel I wanted until this week.  When taking this image I purposely envisaged it in monochrome, but I also like the color.   If you like, drop a line to which version you prefer.

Technical Details:
Canon 5D Mark II, 17-40 f/4l @ 17mm, f/9, 1/400 sec.
Badlands National Park, South Dakota

Some Days Go Fast, Others Meander

A Meandering Buffalo - Photograph

An American Buffalo that decided to meander (thankfully) toward me.  He lost interest quickly and turned away.

Technical Details:
Canon 50D, 300 f/4l, f/6.3, 1/160 sec.
Badlands National Park, South Dakota

5 Arguments Against “Is That REALLY How You Saw It?” – #2: Are You Super-Dynamic?

Black Hills Sunrise

One of the most frustrating issues with photography comes with attempting to capture images with large dynamic range of light. When one looks at such a scene, like a person in front of a sunset, our eyes can pick up both the individual and the colors in the sky. When we photograph the scene, though, either the person is illuminated and the sky is washed out or the person is in the dark with the colors of the sunset are readily visible. Our eyes can effectively pick up about 10-12 stops of light while photography at its best picks up about 6.

5 Stops
Gradient of Roughly 5 Stops (Not to Exact Scientific Scale, for Illustration Purposes Only)


Gradient of Roughly 10 Stops (Not to Exact Scientific Scale, for Illustration Purposes Only)

Over the years various methods have been employed to alleviate this problem: Neutral Density Filters, Blending, HDR Software, Fill Flash. Curiously, even though our eyes can see these levels of light, when applied to photographs these images sometimes appear what many consider to be “unnatural”. As a result, this is one of the areas that viewers complain that a photograph could not have been how the artist actually witnessed the scene.

So, why does the viewing audience believe these images to be manipulated? Partly due to years of conditioning, people take photos and without these techniques their results fall short. Partly due to an overuse of some of these technologies. Lastly, partly due to using these technologies in situations or images that do not warrant them. I have seen many photographers pull out their Neutral Grad filters in situations when they are not needed, simply because they are so used to using them to hold back the sky. It is not always necessary! Meter first!

Of course, the end result is to capture the scene as one sees it, the side effect is creating an image that the viewing public believes is unrealistic, even though it may be more realistic!

Mass Believability? - 5 I shouldn’t be able to see those tree trunks!

Technical Details:
Canon 5D Mark II, 17-40 f/4l @ 17mm, f/18, .4 sec., 3-Stop Hard Neutral Grad
Black Hills, South Dakota

Why do YOU photograph?

Big Horn Sheep - Badlands National Park, South Dakota

Cutting through all the discussions of technique, equipment, vision, etc. exists one underlying question: Why?  Why do you photograph?  Well, I can’t really say why YOU photograph, but I can try to answer why I photograph.  Before I do that though, why is the question of why so important?  What motivates us to create a photograph?  What motivates us to create anything?  If we were to look upon the face of a new mother or father we could see the joy, pride, and wonder of their creation.  We revel in our innovation. This motivation is embedded in the DNA of our species.   We are creators. 

Some might draw, create music, or paint, or create lego monuments, but for me (and probably for you) photography is the tool of creation that we choose.  So why do I photograph?  I photograph because I’m a visual person.  I learn better visually, I understand concepts when they are illustrated visually, I guess I like sightly things.  The elegance of light.  The contrast of shadow.  The qualities of color.  Telling a story with a picture.  Describing a mood without words.  Conveying feeling through a single image.  To me, this is power that photography holds and why I do it. 

Why do YOU photograph?

Feel free to ignore the question, think about the “why” introspectively, or leave some thoughts in the comment section below. 

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