Photo Friday: Ice Trees

Ice Trees

After skipping the last two Photo Fridays I have returned with an image I captured a couple of weeks ago at Boyer Chute near Ft. Calhoun, Nebraska.  I hiked into the refuge and found a grove of cottonwoods tipped with hoarfrost.  I spent some time photographing the patterns and contrasts through the trees.  This image was taken about 20 minutes before sunrise when the cool blue of twilight dominated the prairie.

Technical Details:
Canon 5d Mark II, 70-200 f/4l @ 200mm, f/8, 1/15 sec.
Boyer Chute National Wildlife Refuge, Nebraska

Photo Friday: Twilight Blue

Twilight Blue

Taken at twilight from the tower at Platte River State Park in Nebraska after a fresh snow.

Technical Details:
Canon 5d Mark II, 70-200 f/4l @ 200mm, f/8, 1/60 sec.
Platte River State Park, Nebraska

Growing an Artist-tree

Artist-Tree

The tree is symbolic of an life of artist. The trunk is the base, the basics, knowledge and experience of the craft. The branches symbolize our various creative endeavours within that craft. Some of those branches are older and stronger and support many smaller branches, some are new and budding, while others are dying. Sometimes we must trim away those dead sticks so that we can encourage new growth. As the years pass, we may try to guide the path of these branches, but often there is a randomness that we cannot predict.

Our inspiration waters and feeds the artist-tree. Sometimes it rains and beautiful buds burst into being. Sometimes its winter and the tree waits quietly for the spring thaw. If we do not tend to the tree, it withers and the branches become brittle, but hopefully we can return and resume the care to save its precious nature.

Nurture and love your artist-tree. Let inspiration wash over it and allow the creative branches to reach to the sky. And remember: visit it often.

Technical Details:
Canon 50d, 300 f/4l + 1.4tc, f/6.3, 1/160 sec.
DeSoto National Wildlife Refuge

5 of the Most Ridiculous Excuses to Buy More Camera Hardware

Fractured Glass

#5 But honey, I need to be able to photograph our vacation!

#4 But honey, I need to take better photographs of the children!

#3 If I could just get a little wider/longer I would have been able to get that shot!

#2 This will make my photographs better than Adams/Rowell/etc.!

#1 I’ll finally be able to sell my photographs!

Technical Details:
Canon G10
Platte River State Park, Nebraska

Tips for Cold Weather Photography

Ice Blue

Cold weather photography brings purifying white snow, ice kissing the grasses and trees, and of course the crisp, cool (or cold!) air.  Additionally, it usually drives away the crowds and makes for some great one on one time with nature.  Of course, in order to enjoy this there are a few items to keep in mind to keep you comfortable and safe!  I’ve placed the items of personal safety above the photography items.  Remember, if you’re not safe then it’s not a good idea to be out shooting!

1. Wear clothing that wicks away or repels moisture.  Leave those blue jeans and cotton socks at home!  Nothing is more miserable than trudging through snow and having it melt into cold water as soon as it warms up.  Additionally, wearing shirts that absorb sweat only cause your temperature to drop, which could be dangerous.  Ideal fabrics would be wool, Under Armour, fleece, and Gore-Tex.  When I’m out in the frigid weather, I pull on an Under Armour top and pants, fleece pants, wool socks, and then some Gore-Tex pants on top of that. 

2. Wear appropriate shoe wear.  Get some waterproof, breathable snow boots.  Cold, wet feet make for a shivering time, and could increase your chance of getting frostbite.  Is getting the shot worth losing your toes?

3. Wear a hat.  Seems basic enough, most of the heat of our bodies escapes through our heads so use your head!

4. Wear gloves.  In some conditions frostbite can set it very quickly.  Without fingers capturing photographs can be difficult!  One of the basic problems of photography is that gloves make it hard to change the controls on your camera.  This is something that plagued me for years.  I used to wear thin gloves that would allow better finger mobility, but this caused them to get cold too soon and once your hands get cold, its difficult to rewarm them in thin gloves.  I then got a another pair of gloves to put over those gloves so I could take off the top pair only when needed.  While this worked ok, I really found that finding gloves that grip well were my best bet.  I got a pair of Thinsulate gloves with some nice grip that allows me to work every aspect of my camera without removal, of course this took some trial and error.  If you must have the thin gloves to have better control, get the two pair of gloves as I have mentioned, but use a hand warmer between the two layers.

5. A good time for any occasion, bring a complete extra pair of clothes in your vehicle.  You never know what may happen that may force you to change your wear.  There have been times I couldn’t tell the end of a stream or shore under the snow and happened to step through the ice and drench my feet.  The extra pair of boots and socks came in handy!

6. Another good anytime tip, prepare your equipment prior to exiting your vehicle.  Minimize the snow and moisture that gets into your bag by knowing where to quickly reach what lenses, filters, etc. you need. 

7. Have a travel umbrella.  Good for rain or snow, this keeps droplets off your lens.  If those stray flakes and drops hit, keep a cloth lens cleaner handy.

8. Bring Ziploc bags.  Besides being able to be used to protect your gear in the cold when conditions arise, if you exit and enter your vehicle often, condensation on your equipment can occur.  By placing your camera in a bag prior to entering your car, you can keep that condensation off your lens and prevent fogging.

9. Cover the legs of your metal tripod with insulation.  This prevents loss of heat from your hands when you are carrying or otherwise moving your tripod.

10.  Buy a spare battery and keep it in a pocket close your body.  Cold weather drains a battery about 2-3 times faster than mild temperatures.  Most good winter coats have pockets on the inside which work fabulously for this purpose.  Additionally, keep a spare memory card in those pockets. 

11.  If metering evaluative, expose 1.5-2 stops above the recorded scene to properly capture snow.

12.  Drink something warm before enjoying the cold weather!

Technical Details:
Canon 5d Mark II, 50 CM, f/11, 1/80 sec.
Platte River State Park, Nebraska

Announcing “The Quiet Beauty of Nebraska”

For the past few weeks I have been putting the final touches on my book “The Quiet Beauty of Nebraska”.  I’ve neglected my blog and some other duties, but I am finally ready to make it available.  Comprised of over 40 photographs from across the state of Nebraska, this book focuses on the scenic landscape, nature, and native wildlife that I have travelled far and wide to capture. 

To see a preview of the book and/or purchase, please take a look, it would make a great gift for the upcoming holiday season!
 

By Derrald Farnsworth…

Photo Friday: Corn! - Photographing a Nebraska Stereotype

Corn!

Yes, I live in Nebraska.  Yes, the agricultural industry generates a large portion of money for the state.  Yes, corn grows well here. 

Now that I have mentioned that, I will also say that one of my goals when I photograph Nebraska is to I try to capture areas that are not often seen, nor are these areas that would fall into the typical “Farm” or “Ranch” stereotype. Nebraska is a land of diversity and as such I actively seek out interesting and unique landscapes and insights into the state.  On more than one occasion someone has requested the “typical Nebraska scene” such as a corn field or farm.  Whenever I look through my files I have found only a handful of images.  It’s not that images such as those aren’t interesting, I haven’t chosen to focus on anything agricultural.  Well, for today’s Photo Friday image I have captured an image of corn, lots of corn.   Nice and abstract and it makes me hungry.  Enjoy!

Technical Details:
Canon G10, f/3.5, 1/160 sec.

Photo Friday: Soulful Soaring

Let Your Soul Soar

It’s been a while since I posted an image from my Canon G10. In the next couple of weeks I plan on having a couple of posts dedicated to images that I have captured using this point and shoot. Today, though I wanted to share an abstract image that I captured a couple of mornings ago of the clouds during a sunrise. It’s a simple image that I think gives a great feeling of peace and which relies solely on color and form.

Since the G10’s format is natively conducive to many non-widescreen monitors, I am also offering this image as a free computer desktop wallpaper for whomever may want it in three sizes. On a PC, in order to make this your desktop, simply click on the link that corresponds to your monitor resolution and right click and choose “Set as Background”.

Let Your Soul Soar - 1600x1200
1600×1200

Let Your Soul Soar - 1280x960
1280×960

Let Your Soul Soar - 1024x768
1024×768

Technical Details: Canon G10, f/4.5, 1/15 sec., Light Orton Effect
Nebraska Sky

This photograph can be viewed on my website at: Soulful Soaring - Colorful Illuminated Clouds at Sunrise

Patterns in the Sandbar - More Nature Abstracts

Patterns in the Sand - Platte River, Nebraska

Technical Details:
Canon 5d Mark II, 70-200 f/4l @ 81mm, f/18, 1/60 Sec., Singh-Ray Warming Polarizer
Platte River Near South Bend, Nebraska

This photograph can be viewed on my website at: http://www.journeyoflight.com/journey06/photo.asp?pictureid=PatternsintheSandbar&xmlfile=/journey06/xml/color/midwest.xml

As promised, today I’m posting a new image - actually two new images. Two weeks ago I went out at sunrise with the intent of capturing patterns and designs in the sand on sandbars on the Platte River.  I headed down to the Platte River Connection Bridge near South Bend which is an old trussell that has been converted to a foot bridge and climbed down onto the bars from there.  I found some fascinating designs and paths that the water had carved.  I arrived just before sunrise and to take advantage of the low sun hitting the sand which produced some great bright highlights on the ridges and harsh shadows in between.  I used mid-range zoom to capture various details and coupled that with a Singh-Ray Warming Polarizer to keep the glare off the water and to warm the scene slightly.

 
Technical Details:
Canon 5d Mark II, 70-200 f/4l @ 78mm, f/18, .4 Sec., Singh-Ray Warming Polarizer
Platte River Near South Bend, Nebraska

This photograph can be viewed on my website at: http://www.journeyoflight.com/journey06/photo.asp?pictureid=PatternsintheSandbarII&xmlfile=/journey06/xml/color/midwest.xml

Nature Abstracts

[Abstract art] seeks to break away from traditional representation of physical objects. It explores the relationships of forms and colors, whereas more traditional art represents the world in recognizable images. - Dictionary.com

Some photographers argue that abstracts only really work when the subjects or location are not evident. They feel that if those items are recognizable the abstraction no longer works because the viewer is aware of the atmosphere outside of the composition. Others believe that abstraction can work regardless if the viewer knows the subject.

According to the first part of the definition above, the purpose of abstract art is to break away from the “traditional representation” of objects. It is the second part, however, in which many photographers become entrenched, “more traditional art represents the world in recognizable images”.

In my opinion, however, these artists’ view of “unrecognizable subject matter” is too constraining and rigid. For an abstract to work I think that the only necessary requirement is that the object in question is being captured in a way that the focus is more on the interplay of contrast, color, light and shapes and not be done in a way that would represent the object as an interpretation of itself. To me an abstraction can work regardless of if you know what the subject is, as long as it is done in such a way to focus the composition on the particular elements of a scene and the interplay of those elements with one another.

Regardless of your view, finding abstracts in nature can be particularly fascinating. Sometimes they are evident, such as a closeup of a spiderweb between two stalks of tall grass, and other times they appear only when the timing is right, the shadows of clouds as they move across a field. Seeking these patterns photographicly requires a different mindset from other types of photography. The subtly of some of these designs require constant vigilance in order to quickly change and take advantage upon emergence of such patterns. During the evening as the previous two posts, I was primarily photographing the large landscape with a wide-angle lens. Here I had my primary camera setup on a tripod and tried different compositions attempting to capture a large slice of my surroundings. In the last post I was able to capture the geese as they flew across the scene since I was equipped with a second body and long lens which I normally have out and prepared for wildlife.

Today’s image takes a completely different slant of the scene at hand. As the sun dipped further below the horizon the intense colors of purple and orange tinted the surrounding area, especially reflecting off the water. It is at this time that the dark contrasts of the reeds in the lake created a pattern of lines that seem to come out of the reflected clouds. I quickly changed modes, placed a mid-range zoom on my primary camera, and captured several images of these reeds at different shutter speeds and focal lengths to experiment with the look of the reeds in the water. Ultimately, I decided on a faster shutter speed so it would catch the ripples in the water to give the viewer a reference point. In some nature pattern abstract shots leaving the reference point out is a good idea, but here I feel that the circles added to the aesthetic complexity of the composition. The strong colors with the strong shapes combine to create a shot that does not represent “reeds”, but rather “abstract”.

Technical Details:
Canon 5d Mark II, 70-200 f/4l @ 145mm, f/7.1, 1/10 sec.
Jack Sinn WMA, Nebraska

This photograph can be viewed on my website at: http://www.journeyoflight.com/journey06/photo.asp?pictureid=SilentContrast&xmlfile=/journey06/xml/color/midwest.xml&x=18

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