Cropping Photographs for Impact

Photograph - Hen Patterns

For the first 2-3 years after I made the switch to digital I processed all my photographs in the 2:3 ratio.  After all, I had years upon years of dealing with 35mm film which I then enlarged to 6×9 almost exclusively.  Any other format seemed foreign to me.  I had a brief stint with a 4×5 medium format, but I was never able to get the funds to go larger than 35mm even though I had yearned for the quality of the larger format.  Another contributing factor to my continued use of the 2:3 format was the relatively few megapixels of my 20D.  Don’t get me wrong, those 8 megapixels have created some pretty amazing photos, but I knew that magazines, calendar companies, etc. wanted lots of megapixels and the 20D barely cut it (if at all).  I needed to squeeze every last detail out of that camera. 

As time went on and sensors grew with my artistic endeavors, I began to explore the benefits of cropping images in other formats.  Sure, when the image was printed it may present a problem, but on the computer, the crop helped the composition.  Take the Hen image above.  This is an excellent natural example of the golden spiral.  If I were to keep a 2:3 format, I feel that I would detract from what I am attempting to achieve, showing the elegance and beauty of the pattern.  Of course, with my larger sensor (and in a point and shoot to boot!) I was able to crop this image an still keep around 9 megapixels of image data. 

Today, most of my images are still in the 2:3 format, simply because that is what the my DSLR cameras capture and its easier to compose in what is native on your equipment.  With the advent of live view and other tools, however, I am finding myself using the crop to add impact more and more.  Besides, my little G10 which captured this image is not in 2:3 either, so it has helped me to see differently and that is a good thing.

Technical Details:
Canon G11, f/3.2, 1/25 sec.
Omaha, Nebraska

Nebraska - From One Extreme to Another - Day 8 - Silk Vortex

Photograph - Silk Vortex

Since the fog was lifting from Ponca State Park on that cool spring morning, dew was everywhere. It covered the grass, the trees, and even this fairly large and detailed spider web.

Technical Details:
Canon 5D Mark II, 70-200 f/4l @ 200mm, f/4, 1/640 sec.
Ponca State Park, Nebraska

OLOH - The Self-Assignment of One Lens, One Hour

I often participate in giving myself self-assignments and one of my most frequent assignments is what I call “One Lens, One Hour”. In this assignment, I give myself 2 constraints, I can only choose one lens to use and I only have one hour in which to utilize said lens. While I do not usually limit myself to filters or other accessories, I usually go forth with only the camera in hand, lens mounted, and nothing else.

Ever since purchasing the 135 f/2l, I’ve been in a shallow Depth of Field mood and since I only have one other lens that can open wide, I choose to go out with my trusty 50 Compact-Macro. I visited our local Arboretum and shot the beautiful trees that were blooming. Now, I don’t usually photograph flowers, and my last two posts have contained images of flowers, but I think that variety helps breed creativity. Besides, they were colorful and pretty and the weather was perfect during my hour! All images were captured with a Canon 5D Mark II (Extra Crispy) and a 50 CM Lens.

Burst Forth 
Shot at f/3.2

Shallow Depth of Field Tree Blooms
Shot at f/2.8

Flowering Tree Blooms
Shot at f/2.5
 

5 of the Most Ridiculous Excuses to Buy More Camera Hardware

Fractured Glass

#5 But honey, I need to be able to photograph our vacation!

#4 But honey, I need to take better photographs of the children!

#3 If I could just get a little wider/longer I would have been able to get that shot!

#2 This will make my photographs better than Adams/Rowell/etc.!

#1 I’ll finally be able to sell my photographs!

Technical Details:
Canon G10
Platte River State Park, Nebraska

Returning to One’s Roots by Using a Point and Shoot

Over the Sea of Grass
Over the Sea of Grass

When I was a young lad I had a 35mm Kodak camera that I had won at a contest in Montana.  About once a year my family and I would go on a trip, usually to a national park and I would be sure to pack the camera.  I would take several rolls of film and I would ultimately end up exposing most of it in the first couple of days and then I would have to ration the rest for the remainder.  During the time I was scurrying up on rocks and running up to lake shores to snap a quick photo, I had no idea that one day that would turn into something greater.  My only goal in those days was to capture the beauty around me so that I could be reminded of it later.

As time has progressed, so has my equipment.  During college I used a completely manual Pentax K-1000 to capture almost solely black and white images.  I did quite a bit of dark room work in those days, rolling and exposing my own film, and creating prints until the dead of night with only a singular red light for illumination.  I learned of different lenses, apertures, and shutter speeds.  I first used a tripod and a medium format camera.  Needless to say, the quick point and shooting slowly morphed into more deliberate, careful shooting, I had become a “serious” photographer.   Besides, now I had a grade depending on it.

Read the rest of this entry »

Announcing “The Quiet Beauty of Nebraska”

For the past few weeks I have been putting the final touches on my book “The Quiet Beauty of Nebraska”.  I’ve neglected my blog and some other duties, but I am finally ready to make it available.  Comprised of over 40 photographs from across the state of Nebraska, this book focuses on the scenic landscape, nature, and native wildlife that I have travelled far and wide to capture. 

To see a preview of the book and/or purchase, please take a look, it would make a great gift for the upcoming holiday season!
 

By Derrald Farnsworth…

WordPress Appliance - Powered by TurnKey Linux