Photo Friday: Corn Lily Patterns

Photograph - Corn Lily Patterns

Digging deep in the archives (2005), I found this image of a corn lily after a rain in Glacier National Park. I decided that it needed to have an ultra-contrast dark look to accentuate the feeling of being deep in the forest, where the plant was found.

Technical Details:
Canon 20D, 17-40 f/4l @ 22mm, f/13, 1/50 sec.
Glacier National Park, Montana

Cropping Photographs for Impact

Photograph - Hen Patterns

For the first 2-3 years after I made the switch to digital I processed all my photographs in the 2:3 ratio.  After all, I had years upon years of dealing with 35mm film which I then enlarged to 6×9 almost exclusively.  Any other format seemed foreign to me.  I had a brief stint with a 4×5 medium format, but I was never able to get the funds to go larger than 35mm even though I had yearned for the quality of the larger format.  Another contributing factor to my continued use of the 2:3 format was the relatively few megapixels of my 20D.  Don’t get me wrong, those 8 megapixels have created some pretty amazing photos, but I knew that magazines, calendar companies, etc. wanted lots of megapixels and the 20D barely cut it (if at all).  I needed to squeeze every last detail out of that camera. 

As time went on and sensors grew with my artistic endeavors, I began to explore the benefits of cropping images in other formats.  Sure, when the image was printed it may present a problem, but on the computer, the crop helped the composition.  Take the Hen image above.  This is an excellent natural example of the golden spiral.  If I were to keep a 2:3 format, I feel that I would detract from what I am attempting to achieve, showing the elegance and beauty of the pattern.  Of course, with my larger sensor (and in a point and shoot to boot!) I was able to crop this image an still keep around 9 megapixels of image data. 

Today, most of my images are still in the 2:3 format, simply because that is what the my DSLR cameras capture and its easier to compose in what is native on your equipment.  With the advent of live view and other tools, however, I am finding myself using the crop to add impact more and more.  Besides, my little G10 which captured this image is not in 2:3 either, so it has helped me to see differently and that is a good thing.

Technical Details:
Canon G11, f/3.2, 1/25 sec.
Omaha, Nebraska

Marketing Photography, Part II: Educating Your Market

Photograph - Listen to the Calm
A Non-”Corn” Nebraska Landscape

Alain Briot, a successful photographer, especially in the print medium recently wrote an article regarding pricing fine art photography.  Within the article he proposes the following:

  • Most people cannot tell average photography from good photography
  • Most people cannot tell good photography from very good photography

 

I agree with Mr. Briot’s assertions, with the addition of the following:

The majority of people that can tell good photography from very good photography are photographers themselves and photographers rarely purchase other photographer’s work. From my experience with art shows I can tell you that about 85% of my conversations are with fellow photographers and revolve around how I got the shot or where I was at the time. An astounding 80% of those conversations are discussions surrounding equipment. Majority Result? No sale.

Following my extension of Alain Briot’s logic then the majority of individuals who would appreciate the efforts and beauty of great art is would never buy great art. In order to help your customer’s make their decision in your favor, you need to educate them. This is true whether speaking about a print, a stock item, or assignment work.

For example, I photograph a diversity of landscapes and nature surrounding the American Great Plains. I travel hundreds of miles to ensure that what I get is unique, but distinctly “Great Plains”. The majority of these images were captured in Nebraska. Through my website and various other channels, I am contacted by companies who wish to use photography captured within the state of Nebraska for their marketing. Often, an immediate assumption made by individuals outside of Nebraska, that the state is pretty synonymous with “corn” or “crops”. As a result, they ask me what stock images I have of corn. The number? I have 1 image of corn taken in Nebraska.  It is at this point that I usually try to help the agencies or purchaser understand that while corn is an important aspect of Nebraska, it is not the only aspect.  Indeed, close to a million people in the state of Nebraska never even see a corn stalk for the majority of the year.  That’s the majority of the populous of Nebraska.  On first blush, “corn” seems to be the winner, but upon deeper inspection there maybe a stronger, less cliched possibility.

In order to educate your market, you need to be fully knowledgeable on your images.  That means, if you captured an image of an animal, you need to know what kind of animal it was.  If you are capturing a landscape, you need to know where you captured it - Park name, city, county.  If you are capturing a plant, you should know the name of the plant.  Additionally, you need to know when it was taken - ie Month, year, time of the day, etc.  If it was during an event, you should know the details of the event.  All this means taking good notes and creating an encyclopedia of information.  People like to know the stories and information behind the images and so the more information you can provide, the stronger the educational experience and the more likely a sale. 

Technical Details:
Canon 5D Mark II, 17-40 f/4l @ 17mm, f/13, 5 sec., 2-stop Hard Singh-Ray Filter
Jack Sinn WMA, Nebraska

Photo Friday: Ominous Overhead

Photograph - Ominous Overhead

Since I’ve had a few weekly series of photographs, I haven’t had a “Photo Friday” in a while. On Wednesday we received an incredible storm followed by an even more incredible sunset. While I was unable to be out during much of either I did hop in the car for a jaunt out of the city. Here, the clouds were still picking up the red hue of the sun even after the sun had set 45 minutes prior.

Technical Details:
Canon 5D Mark II, 17-40 f/4l @ 17mm @ 21mm, f/9, 15 seconds
Rural Sarpy County, Nebraska

Nebraska - From One Extreme to Another - Day 10 - Breakthrough

Photograph - Breakthrough

For my final image in the “From One Extreme to Another” series, I present “Breakthrough“. This is probably, my favorite image from the day I spent at Ponca State Park. The sun and fog really added to the dynamic of this image. While the composition seems simple, something keeps drawing me back to this photograph. A good example of learning to photograph where you live. Interesting images can be made virtually anywhere, one doesn’t have to travel far to see some incredible things.

Technical Details:
Canon 5D Mark II, 70-200 f/4l @ 200mm, f/8, 1/2000 sec.
Ponca State Park, Nebraska

Nebraska - From One Extreme to Another - Day 9 - Here Comes the Sun

Photograph - Here Comes The Sun

Seeing the rising sun through fog has to be one of my favorite photographic experiences. Unique lighting, unpredictable effects, rays of light everywhere, all contribute to some outstanding circumstances. When fog forms, I go out!

Technical Details:
Canon 5D Mark II, 17-40 f/4l @ 17mm, f/13, 1/125 sec.
Ponca State Park, Nebraska

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