The “Self-Taught” Photographer Contradiction

Photograph - Quiet Surveyor 

Everyone is taught photography by others.  Consciously or unconsciously we receive the majority of our instruction from other artists, friends, instructors, etc.  In many photographer’s early careers, I find many resumes and statements that contain such phrases as ”completely self-taught” or “was not instructed”.  By these descriptions, the artist is trying to validate their perceived lack of formal credentials.  It is my experience, first, this is never true, and second, it doesn’t matter. 

In regard to the first point, the non-intentional lack of honesty inherent with being “self-taught”.  Most of the time someone chooses to become an artist because of inspiration they have received from seeing other’s work.  It is their wish to create something of similar beauty and if they continue to evolve, to improve upon the work with their own voice and style.  Photographers look at images from various sources, calendars, postcards, the Internet and then they attempt their own creations, initially by imitation.  In this manner they are being instructed by those disassociated slices of imagery.  If they find they are not successful in imitation, then they research how to achieve those results.  Often, they find their answers in books and the internet.  After the artist reaches the desired results, the next step is developing vision and style.  (Some artists never evolve past imitation) 

For those that have received formal instructrion, I submit that they may start with a disadvantage.  The student’s voice and style is heavily influenced by the instructor.  The instructor chooses the lectures, the example artists, the images.  While they maybe attempting to broaden the student’s understanding of the art, they may still be applying their vision on the students, albeit unconciously.  Additionally, the instructor maybe required to grade, therefore applying an objective rating to subjective material.  Thus, the evolution of the style of the student could be changed accordingly.  In this respect, photography instructors should be very careful on how they influence.

Now, in regard to the second point, it does not matter if one is “self-taught”.   If the art is good enough, fits the needed requirement, and is priced appropriately, no art buyer will turn down a piece simply because the artist was not formally instructed.  Now, if someone is trying to get into an agency, or get a position as a staff photographer, this may matter, but if your goal is to sell stock or prints then it is really not necessary to point out that you received no formal instruction.  I believe the phrase “self-taught” detracts.  Strike it and let your art speak for itself!

Technical Details:
Canon 5D Mark II, 300 f/4l + 1.4 tc, f/5.6, 1/800 sec.
Schramm State Recreation Area, Nebraska

A Forest Photowalk

Photograph - Quiet and Camoflage - Rocky Mountain Woodhouse Toad

Saturday was the third annual Scott Kelby Photowalk.  Normally, you participate by signing up at a city or location near you and you take the opportunity to photograph the surroundings with 50 other individuals.  This year I decided to have a little smaller photowalk with only my eldest daughter and me.  We took a stroll through Schramm State Recreation Area and looked at the wildflowers, mushrooms, and had some fun crossing the suspension bridge that spans a ravine deep in the forest.  On the way back, we saw something jumping across the trail which made us jump a little.  Stopping to find the hopper, we spotted a little Rocky Mountain Woodhouse Toad.  He had stopped and was lying perfectly still in the surrounding foliage.  A couple of times I even lost him in the viewfinder as I was readjusting my perspective and found it difficult to find him again.  He had some great camouflage!

Technical Details:
Canon 50D, 300 f/4l + 1.4tc, Extension Tube
Schramm SRA, Nebraska

Nebraska - From One Extreme to Another - Day 7 - A Fox Friend

A Fox Friend

While traveling through Ponca State Park just before dawn, I found two foxes playing and eating by the side of the road. Still too dark to photograph, I let them be. To my great surprise, however, they were still there when I returned over an hour later. I was able to spend 15 minutes photographing them quietly before they decided they were done with me photographing them.

Technical Details:
Canon 50D, 300 f/4l + 1.4tc, f/5.6, 1/30 sec.
Ponca State Park, Nebraska

Slowly Moving Along

Slow And Steady

It’s now less than a month away from when I exhibit at the Governor’s residence in Lincoln, Nebraska. When I initially got the invitation, it was over a year before I had to have everything prepared so I procrastinated. Of course, throughout that time I have had various things crop up, and of course, I have captured more images! Realizing my deadline, I just put in an order for 25 new Nebraska images so that I could rotate out some older (and non-Nebraska) stuff for the show.

Additionally, Nebraska Life magazine is doing a small piece on my exhibition, so if you are a subscriber, be sure to look for the information and an image or two in the next issue!

While this photograph will not be in the show as it is not an image from Nebraska, I felt it reflected the theme of the post - slow, but steady.   A little story about the image. My eldest daughter and I hiked a nature trail Squaw Creek National Wildlife Refuge in Missouri in early May and had come across this snail moving slowly and deliberately across a fallen log.  We watched him for a good ten minutes, all the while my daughter managed to accumulate four ticks which proved difficult to find.  After finding three, I called it good, loaded her in the car and proceeded to drive away.  When I was on the on-ramp to the Interstate I heard a shriek from the back of the car, “There’s a bug on me!”.  I immediately pulled over and ran to her to find a huge tick crawling up her arm.  Not sure how I missed that one.

Technical Details
Canon 5D Mark II, 50 CM lens, f/5.6, 1/50 sec.
Squaw Creek National Wildlife Refuge, Missouri

5 Arguments Against “Is That REALLY How You Saw It?” - #5: Are you Superman?

Tall and Proud

When exhibiting their work, photographers always go through the “Is that REALLY how you saw it?” question and subsequent discussion. Of course, this phrasing isn’t always exact, sometimes it appears in the form of “What did you photoshop?”, “Is that real?”, and my favorite, “It certainly did not look like that!” (Notice the lack of actual question). Photographers handle this question through a wide-range of explanations and emotions including, but not limited to:

  • Reasoning with the individual (who needs to justify their art?)
  • Providing a one-word answer (usually, “yes”, which alienates the viewer/potential buyer)
  • Giving an overly technical discussion of the image (confusing and then alienating the viewer/potential buyer)
  • Unbridled anger (never good, in any situation)

This week I plan on exploring this question through 5 technical discussions. At the beginning of each discussion I will provide an image that I captured. At the end I will provide a scale that designates what I believe most of the non-photographer public would peg the amount of photoshopping or “Mass Believability”. The scale will range from to 1-Nothing “real” here, baby! to 10-Au Naturel. To obtain a ultimately fruitful result from this series, on the last day these analyses will culminate in a discussion of effective ways to tackle this from a business perspective.

Today’s argument - Are you Superman?

I’ll start the week-long discussion with the obvious: Cameras are not made with human brains and eyes. I’m not sure I’d even want to touch a camera made with those items anyway. By the very nature that the tool is not human, well, that makes it not “how you saw it”. If it was, we would have a usb port to our brains and that is so Star Trek - as in, not today.

So, let’s focus on the camera as a tool. It’s common knowledge that one can buy lenses for cameras in different focal lengths. Even point an shoots have little zoom lenses that change when pushed. The last time I checked, I did not have the ability to zoom my eyes. Sure, I can focus my brain on an object and so some visualization, but in the strictest sense the camera is capturing my subject in a way in which I did not technically “see” it.

It is purported that the focal length of “normal vision” is 50mm. Sorry, wildlife photographers, if you use a telephoto lens, then you did not “see” the critter like that. By the very selection of your lens, you cannot in good conscious answer the ultimate question with a “Yes!”. Landscape photographers, did you use a wide-angle? You too, not how you saw it! Sports photogs? Nope, not even close! Unless you’re superman, then you do not have the ability to change the focal length of your eyes. Is the image of the egret above how I “saw” it? Nope, I was on a road, across the pond from this guy. In my field of vision, I had a couple of trees, a hill, a run-down building, oh and an egret. With this particular photograph, in most photographic exhibitions I would not be asked if that is how I saw it, because it isn’t a completely uncommon sight, and yet it is definitely not what I saw! Most viewers have probably witnessed something similar - i.e. cardinal on a birdbath, heron in a marsh, rubber ducky in a bathtub. Because of prior history and based upon experiences, viewers are more likely to dismiss the image as the real-deal.  It’s got great “Mass Believability”.

Mass Believability? - 10 So Real I Can Touch It!

Technical Details:
Canon 50D, 300 f/4l + 1.4tc, f/5.6, 1/400 sec.
Egret, Northern Arkansas

Looking for Inspiration #1: Take a Hike!

Eighty Days of Sorrow

For me, physical exercise is one of the best ways to get my mind working. Although all exercise is great, I especially enjoy hiking. I love being outdoors and when I’m not encumbered by a camera, I’m able to really move and find things that I would like to photograph. I create a mental snapshot of a composition for later and continue on. By the end of the hike, I have a mind full of ideas which is beneficial for when I do have a camera.

Technical Details:
Canon 5D Mark II, 17-40 f/4l @ 40mm, f/9, 1/160 sec.
Jefferson National Expansion Memorial, St. Louis, Missouri

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