5 Arguments Against “Is That REALLY How You Saw It?” - #3: Can You Stop Time?

Through the Flow

A hundredth of a second here, a hundredth of a second there — even if you put them end to end, they still only add up to one, two, perhaps three seconds, snatched from eternity.”
- Robert Doisneau

Let’s face it, our eyes are more geared towards movies than photography. When we look at something, it is rarely static. Still photography captures only a slice of moments, fractions of experiences. Our lives are interactive films. Even on a still day, when we point our lenses at an outdoor scene, the sun’s deliberate transit causes shadows to move, light to scatter, and depths to change. A photograph is a wholly singular point in time. We never truly see anything as unchanging. Waterfalls, for example, are usually caught over a long exposure, transforming the motion into silky-smoothness. Is that how we saw it? No. Sometimes, water is captured in a quick stop, drops hanging in mid-air. Is that how we saw it? No. So how did we see it? Simply, motion. A photograph by its very still nature makes it only a frame from the movie of our lives. Unless one is using mind-altering drugs or have achieved higher levels of consciousness can one maybe stop time, and I don’t recommend the former and I have no answers for the latter. Only through a camera can you freeze time easily and effectively.

Mass Believability? - 7 That water looks so surreal!

Technical Details:
Canon 5D Mark II, 17-40 f/4l @ 17mm, f/16, 1.3 sec., Singh-Ray 3-Stop ND Filter
Six Finger Falls, Ozark National Forest, Arkansas

Photo Friday: Curved Reflections (The Arch in St. Louis)

Curved Reflections: The Arch at Jefferson National Expansion Memorial, St. Louis, Missouri

I haven’t had a photo Friday in the last couple of weeks since I was actually out photographing!  I took a little adventure to northern Arkansas and ended up in St. Louis for a wedding. I will be sharing some of the results of this trip over the course of the next week or so. Today it kicks off with an image of the Arch at the Jefferson National Expansion Memorial in St. Louis, Missouri.  The weather was quite dynamic allowing some very interesting shots of this monument. For this particular shot I braved the numerous mosquitoes and opted for a small aperture to give a star-look to the lights and a long exposure to help streak the clouds as they floated by.

As a side note, my 17-40 f/4l’s autofocus stopped working right the day before. That lens just hasn’t been the same since it fell out of my bag when my zipper broke about 2 years ago in Kansas City. Missouri just hasn’t been nice to that lens!

Technical Details:
Canon 5d Mark II, 17-40 f/4l @ 22mm, f/16, 20 seconds
The Arch, Jefferson National Expansion Memorial, St. Louis, Missouri

Slowed Flow

Today’s image was taken on a rainy, overcast day during my last trip to Alberta, Canada. Overcast days are optimal for capturing the movement of the water and slowing it to a silky flow. I felt that this technique gave this photo a feeling of a bit of motion, instead of a “snapshot of time” where everything is completely frozen. Through this I hope that this allows you to be drawn into the composition more, rather than being just a viewer.

Technical Details:
Canon 5d, 17-40 f/4l @ 27mm, f/18, 10 sec.
Alberta, Canada

Power and Light

This image was taken in Kansas City as well, in the Power and Light District. This particular evening, the lead singer of Boston was performing at the KC Live, which is at the far right of the image. I used a long exposure with the street in the foreground to capture the streaks of the headlights of the cars passing by.

Technical Details:
Canon 5d, 17-40 f/4l @ 17mm, f/16, 30 sec.
Power and Light District, Kansas City, Missouri

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

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