Looking for Inspiration #4: Transcribe Your Ideas for Review!

Sunny Iris

I don’t know how many times I’ve thought of a bunch of artistic ideas at once and then forgot to write them down. These brainstorming sessions can be very productive in allowing one’s mind to jump from idea to idea, but one must make sure that they are not forgotten. Later, when the ideas are reviewed more ideas may be generated. One rule: Nothing is too absurd, nothing is too far-fetched.

Technical Details:
Canon 50D, 300 f/4l, f/4.5, 1/500 sec.
Yellow Iris, Schramm State Recreation Area, Nebraska

365 Day Projects - Can You Do It?

Purple Forest

Many have taken on the challenge of a 365-day project, or the task of capturing a new image every day of the year (I guess that would make it a 366-day project in leap years!). While I have never attempted the full 365 days, I do admit, the assignment has intrigued me. The positives these people cite for such an endeavor are to quickly expand their abilities and creative ventures. Given the task of forcing a photograph a day, one must become imaginative and the images should be varied or else the task become repetitive and boring and hard to maintain. Those that do it successfully create some unique and interesting work while steadily improving their skills.

From my shorter experiences with such an assignment and from what I’ve studied from others I have put together a few tips that I believe will help make your 365 project a success, that is if to are up to the challenge.

  1. Always carry a camera. Seems logical enough. I suggest obtaining a good point-and-shot or getting clothes with really big pockets.
  2. Try cycling between portraiture, nature, street, wildlife, etc. The more varied types of photography, the better. Who knows, you may find out you like noir photography!
  3. Take a walk in the park, I find exercise often helps me to gain creativity and lose weight.
  4. Search out abstractions and patterns, in this instance repetition and repetition may be welcomed.
  5. Study other’s work, let their images soak into your subconscious.
  6. Plan ahead, if there is a day that does not look promising for a photograph, take a self-portrait.
  7. Not feeling well? Don’t force it, creativity improves with physical wellness.
  8. If just beginning, try a photo a week, this will help show how you handle the project. If it doesn’t work out the first time, don’t feel bad, try again when you are ready.

So get out there and shoot! After today, you only have 364 more to go!

Technical Details:
Canon 5D Mark II, 70-200 f/4l @ 200mm, f/4, 1/125 sec.
Dame’s Rocket, Schramm State Recreation Area, Nebraska

OLOH - The Self-Assignment of One Lens, One Hour

I often participate in giving myself self-assignments and one of my most frequent assignments is what I call “One Lens, One Hour”. In this assignment, I give myself 2 constraints, I can only choose one lens to use and I only have one hour in which to utilize said lens. While I do not usually limit myself to filters or other accessories, I usually go forth with only the camera in hand, lens mounted, and nothing else.

Ever since purchasing the 135 f/2l, I’ve been in a shallow Depth of Field mood and since I only have one other lens that can open wide, I choose to go out with my trusty 50 Compact-Macro. I visited our local Arboretum and shot the beautiful trees that were blooming. Now, I don’t usually photograph flowers, and my last two posts have contained images of flowers, but I think that variety helps breed creativity. Besides, they were colorful and pretty and the weather was perfect during my hour! All images were captured with a Canon 5D Mark II (Extra Crispy) and a 50 CM Lens.

Burst Forth 
Shot at f/3.2

Shallow Depth of Field Tree Blooms
Shot at f/2.8

Flowering Tree Blooms
Shot at f/2.5
 

Beyond the Portrait with the Canon 135 f/2l

As demonstrated earlier this week, the Canon 135 f/2l proves it is fabulous for portraits, but as I mentioned, I wanted to see in what other capacities this lens might be useful, especially in nature photography. 

Wildlife

Since the 135 f/2l is super sharp and fast, shooting wildlife might be a good use for this lens.  As I wanted to try this, I went out to a local wildlife conservatory and shoot some critters.  Here are some samples, all shots were with a Canon 5d (Original Flavor), the 135 f/2l and a Canon 1.4x Extender II and all shots were captured at f/2.8.

As is evident, the lens with the teleconverter was great at capturing these wolves clearly and easily.  The focus was achieved quite effectively allowing me to get some action shots.  Because of the wide aperture of this lens, I was also able to open up wide to blur out the fence between the wolves and me, rendering it invisible in almost every shot.  In the wild, I certainly would not want to be as close to these guys as I was here.  Overall, the lens worked well for this purpose, but I doubt I would want the short distance I had here when capturing shots of wildilfe (I was about 12 feet away).  Besides encroaching on their personal space, they would either run away or see me as a threat!  I think I’ll stick to my 300 and 1.4tc for most shots of wildlife.

Macro

While researching this lens, I read several posts of individuals utilizing it as a macro lens.  Since I dabble in the macro quite often I was very interested in seeing what I could do.  Spring in Nebraska brings some wildflowers, but most tend to be small, delicate, and can be difficult to capture.  While hiking through Platte River State Park, I came across some examples of a white fawn lily. 


Shot at f/6.3

Using the lens by itself, the flower was too far to focus on.  In order to get a closer shot, I placed a 1.4x teleconverter and a 25mm extension tube on the 135 and even then, I wasn’t as close as I would have liked.  This example shot is about a 65% crop of the image that was captured.  Even so, the flower is sharp (as expected) and the bokeh is very nice.  Not horrible for macro, but I would say if macro’s your thing to get a dedicated macro lens, otherwise, be sure to have a few extension tubes and a teleconverter handy.  A crop camera would be beneficial here as well.

So, the end result is that the camera is adequate for other work, but would not be the ideal lens for wildlife and macro shooting.  Still I always like pushing my lens into other areas than what is considered the “norm”, partially because I like to see what I can do, and partially because when one spends that much on something it’s nice to be able to use it in diverse ways.

Announcing “The Quiet Beauty of Nebraska”

For the past few weeks I have been putting the final touches on my book “The Quiet Beauty of Nebraska”.  I’ve neglected my blog and some other duties, but I am finally ready to make it available.  Comprised of over 40 photographs from across the state of Nebraska, this book focuses on the scenic landscape, nature, and native wildlife that I have travelled far and wide to capture. 

To see a preview of the book and/or purchase, please take a look, it would make a great gift for the upcoming holiday season!
 

By Derrald Farnsworth…

Pastel Fields

On a quiet evening on Boyer Chute National Wildlife Refuge, these purple flowers stand silently.  A pinkish sky is the last sign of the sun before the last light vanishes leaving the fields in darkness. 

Technical Details:
Canon 5d Mark II, 17-40 f/4l @ 19mm, f/9, 1/25 sec., Singh-Ray 3-Stop Hard grad
Boyer Chute National Wildlife Refuge, Nebraska

This photograph can be viewed on my website at: http://www.journeyoflight.com/journey06/photo.asp?pictureid=PastelFields&xmlfile=/journey06/xml/color/midwest.xml&x=45

 

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