Marketing Photography, Part II: Educating Your Market

Photograph - Listen to the Calm
A Non-”Corn” Nebraska Landscape

Alain Briot, a successful photographer, especially in the print medium recently wrote an article regarding pricing fine art photography.  Within the article he proposes the following:

  • Most people cannot tell average photography from good photography
  • Most people cannot tell good photography from very good photography

 

I agree with Mr. Briot’s assertions, with the addition of the following:

The majority of people that can tell good photography from very good photography are photographers themselves and photographers rarely purchase other photographer’s work. From my experience with art shows I can tell you that about 85% of my conversations are with fellow photographers and revolve around how I got the shot or where I was at the time. An astounding 80% of those conversations are discussions surrounding equipment. Majority Result? No sale.

Following my extension of Alain Briot’s logic then the majority of individuals who would appreciate the efforts and beauty of great art is would never buy great art. In order to help your customer’s make their decision in your favor, you need to educate them. This is true whether speaking about a print, a stock item, or assignment work.

For example, I photograph a diversity of landscapes and nature surrounding the American Great Plains. I travel hundreds of miles to ensure that what I get is unique, but distinctly “Great Plains”. The majority of these images were captured in Nebraska. Through my website and various other channels, I am contacted by companies who wish to use photography captured within the state of Nebraska for their marketing. Often, an immediate assumption made by individuals outside of Nebraska, that the state is pretty synonymous with “corn” or “crops”. As a result, they ask me what stock images I have of corn. The number? I have 1 image of corn taken in Nebraska.  It is at this point that I usually try to help the agencies or purchaser understand that while corn is an important aspect of Nebraska, it is not the only aspect.  Indeed, close to a million people in the state of Nebraska never even see a corn stalk for the majority of the year.  That’s the majority of the populous of Nebraska.  On first blush, “corn” seems to be the winner, but upon deeper inspection there maybe a stronger, less cliched possibility.

In order to educate your market, you need to be fully knowledgeable on your images.  That means, if you captured an image of an animal, you need to know what kind of animal it was.  If you are capturing a landscape, you need to know where you captured it - Park name, city, county.  If you are capturing a plant, you should know the name of the plant.  Additionally, you need to know when it was taken - ie Month, year, time of the day, etc.  If it was during an event, you should know the details of the event.  All this means taking good notes and creating an encyclopedia of information.  People like to know the stories and information behind the images and so the more information you can provide, the stronger the educational experience and the more likely a sale. 

Technical Details:
Canon 5D Mark II, 17-40 f/4l @ 17mm, f/13, 5 sec., 2-stop Hard Singh-Ray Filter
Jack Sinn WMA, Nebraska

Photo Friday: Ominous Overhead

Photograph - Ominous Overhead

Since I’ve had a few weekly series of photographs, I haven’t had a “Photo Friday” in a while. On Wednesday we received an incredible storm followed by an even more incredible sunset. While I was unable to be out during much of either I did hop in the car for a jaunt out of the city. Here, the clouds were still picking up the red hue of the sun even after the sun had set 45 minutes prior.

Technical Details:
Canon 5D Mark II, 17-40 f/4l @ 17mm @ 21mm, f/9, 15 seconds
Rural Sarpy County, Nebraska

How to Get Sharp Enlargements: Breaking the Megapixel Myth

Last Light At Maligne Lake

Myth: More megapixels will always lead to a sharper enlarged image.

This is without a doubt the greatest myth perpetuated by the camera industry today.  Marketing tells us more megapixels=better camera.  Back in the film days there were only a few choices, 35mm, 4×5, 8×10, 110, etc. In those days, (with a few exceptions, of course) the film size DID dictate how far an enlargement could be taken.  I remember years ago taking my 35mm black and white film that I had developed in the dark room and making test strips, then enlarging it to 6×9 and then to 11×14.  The sharpness of the image would begin to break down around that point.  The three main things I had to remember in achieveing the sharpest, largest prints in those days was 1: Shoot big film. 2: Proper focus when taking the photograph and 3: A grain finder.  For those of you who don’t know what a grain finder is, well, let’s just say its the equivalent of 100% zoom in Photoshop.

So, if larger film led to sharper, larger enlargements, shouldn’t more megapixels do the same thing?  I mean after all all those technical sites speak about resolving power and lines per inch and its always better bigger - right?

Well, the answer is somewhat elusive and lies in three basic parts.

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Fall’s Final Curtain Call

Fall\'s Final Curtain Call

This is an image of the same tree from Autumnal Brillance, close to sunset with the sun low in the sky. The leaves were completely gone in a matter of days after this photograph was captured.

Technical Details:
Canon 5d Mark II, 17-40 f/4l @ 17mm, f/16, 1/60 sec.
DeSoto National Wildlife Refuge, Iowa Side

This photograph can be viewed on my website at: Fall’s Final Curtain Call - A maple tree bursts forth into glorious autumn colors.

Announcing “The Quiet Beauty of Nebraska”

For the past few weeks I have been putting the final touches on my book “The Quiet Beauty of Nebraska”.  I’ve neglected my blog and some other duties, but I am finally ready to make it available.  Comprised of over 40 photographs from across the state of Nebraska, this book focuses on the scenic landscape, nature, and native wildlife that I have travelled far and wide to capture. 

To see a preview of the book and/or purchase, please take a look, it would make a great gift for the upcoming holiday season!
 

By Derrald Farnsworth…

Why You Should Always or Never Listen to Your Critics

A Wandering Traveler

For several years I actively participated in a couple of different photography forums in which I would comment on others photographs and post some of mine. For the most part, I would try to offer some constructive criticism and in return I hoped that my images would receive the same type of feedback as well. Along the way I met some great people and looked at some inspirational photography and interacted in a fairly supportive community - fairly being the key word.

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