Photo Friday: Ice Trees

Ice Trees

After skipping the last two Photo Fridays I have returned with an image I captured a couple of weeks ago at Boyer Chute near Ft. Calhoun, Nebraska.  I hiked into the refuge and found a grove of cottonwoods tipped with hoarfrost.  I spent some time photographing the patterns and contrasts through the trees.  This image was taken about 20 minutes before sunrise when the cool blue of twilight dominated the prairie.

Technical Details:
Canon 5d Mark II, 70-200 f/4l @ 200mm, f/8, 1/15 sec.
Boyer Chute National Wildlife Refuge, Nebraska

The Photographer’s Luck

Cold Cottonwoods - Hoarfrost on a Cottonwood Stand, Boyer Chute NWR, Nebraska

“Wow, you must have been lucky to see that!”, “That was lucky you had your camera ready at that exact time!”, or “Did you feel lucky when you saw that?!” are all sentiments I’ve heard voiced at shows and exhibitions to myself and other photographers. Are photographers really “lucky”? While I am happy to have witnessed some of the beauty offered by this earth, this word is perhaps used too freely amongst some of these individuals.

Andrew Fleming, a Scottish researcher, leaving for vacation, left some petri dishes out in his lab containing strains of the staph bacteria. Upon his return he noticed that in one dish one of the staph strains had died near where a mold had taken over. Recognizing the benefit of being able to create a substance to combat bacteria, he worked for years exploring this discovery. The mold he discovered was later termed “Penicillin” and the the modern antibiotic age was born. Of course, many might say he got “lucky”, but in fact he had the knowledge and experience to recognize the implications of what he found. It took years of hard work and dedication, but his serendipitous discovery could have been lost on a less inclined mind.

Seneca, a Roman philsopher is quoted, “Luck is what happens when preparation meets opportunity.”  Pratice, patience, planning, education, all go into building an artist’s preparation for when opportunities arise and these opportunities do not come readily. For example, a photographer who wants to capture the morning sun on a particular mountain peak must research sunrise times, angles, weather conditions, and ascent routes. Once all this information is compiled and processed the artist can then prepare equipment, dress appropriately and ascend the slope to gain the opportunity for a beautiful alpenglow shot. Upon arriving, more preparedness is then required compose the shot, utilize the appropriate filters, and later process the shot to its fullest extent.

Creating art forces artists to observe to the world in a more detailed manner. With more observeration comes a greater the apprecation of the gifts of the this world. An artist’s main goal is to share the beauty that comes from the heart and imagination and this requires dedication and preparation. The thrill of capturing beauty could be perceived as luck, but the end result is a greater realization of the gifts we have. As for the gifts I have?  I agree, I am lucky.

Technical Details:
Canon 5d Mark II, 17-40 f/4l @ 25mm, f/8, 1/13 sec.
Boyer Chute National Wildlife Refuge, Nebraska

Photo Friday: Twilight Blue

Twilight Blue

Taken at twilight from the tower at Platte River State Park in Nebraska after a fresh snow.

Technical Details:
Canon 5d Mark II, 70-200 f/4l @ 200mm, f/8, 1/60 sec.
Platte River State Park, Nebraska

Growing an Artist-tree

Artist-Tree

The tree is symbolic of an life of artist. The trunk is the base, the basics, knowledge and experience of the craft. The branches symbolize our various creative endeavours within that craft. Some of those branches are older and stronger and support many smaller branches, some are new and budding, while others are dying. Sometimes we must trim away those dead sticks so that we can encourage new growth. As the years pass, we may try to guide the path of these branches, but often there is a randomness that we cannot predict.

Our inspiration waters and feeds the artist-tree. Sometimes it rains and beautiful buds burst into being. Sometimes its winter and the tree waits quietly for the spring thaw. If we do not tend to the tree, it withers and the branches become brittle, but hopefully we can return and resume the care to save its precious nature.

Nurture and love your artist-tree. Let inspiration wash over it and allow the creative branches to reach to the sky. And remember: visit it often.

Technical Details:
Canon 50d, 300 f/4l + 1.4tc, f/6.3, 1/160 sec.
DeSoto National Wildlife Refuge

What is “Acceptable Sharpness”?

Morning Shadows

A few weeks ago I wrote an article entitled “How to get Sharp Enlargements: Breaking the Megapixel Myth”that gave some tips on creating images that could be greatly enlarged. Now, I am going to address the issue of “Acceptable Sharpness”. In a perfect world of capturing sharp photographs we would all have a remote similar to the movie “Click” in which we could simply hit the “pause” button and everything would simply stop. At that point we could setup our gear, put our tripod in place, connect our cable release, set the mirror lockup, choose the sharpest aperture, put on the best lens, fix the lowest ISO, and then finally capture the image. Unfortunately, no such device exists and so we are left to deal with breezes that blow, animals that run, and hands that shake and As a result, not all nature images are studio perfect. When zoomed in and analyzed imperfections may be noted, perhaps a little motion blur, perhaps a bit of depth of field issues and of course, hand held photographs will almost always be less sharp than an image from a tripod mounted camera. Does this mean that these images should be tossed out due to technical imperfections? At what enlargement point would these images degrade? These are the questions that led me on my path to finding my “Acceptable Sharpness”.

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Returning to One’s Roots by Using a Point and Shoot

Over the Sea of Grass
Over the Sea of Grass

When I was a young lad I had a 35mm Kodak camera that I had won at a contest in Montana.  About once a year my family and I would go on a trip, usually to a national park and I would be sure to pack the camera.  I would take several rolls of film and I would ultimately end up exposing most of it in the first couple of days and then I would have to ration the rest for the remainder.  During the time I was scurrying up on rocks and running up to lake shores to snap a quick photo, I had no idea that one day that would turn into something greater.  My only goal in those days was to capture the beauty around me so that I could be reminded of it later.

As time has progressed, so has my equipment.  During college I used a completely manual Pentax K-1000 to capture almost solely black and white images.  I did quite a bit of dark room work in those days, rolling and exposing my own film, and creating prints until the dead of night with only a singular red light for illumination.  I learned of different lenses, apertures, and shutter speeds.  I first used a tripod and a medium format camera.  Needless to say, the quick point and shooting slowly morphed into more deliberate, careful shooting, I had become a “serious” photographer.   Besides, now I had a grade depending on it.

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Fall’s Final Curtain Call

Fall\'s Final Curtain Call

This is an image of the same tree from Autumnal Brillance, close to sunset with the sun low in the sky. The leaves were completely gone in a matter of days after this photograph was captured.

Technical Details:
Canon 5d Mark II, 17-40 f/4l @ 17mm, f/16, 1/60 sec.
DeSoto National Wildlife Refuge, Iowa Side

This photograph can be viewed on my website at: Fall’s Final Curtain Call - A maple tree bursts forth into glorious autumn colors.

Moody Monday - Winter Contrasts

Winter Contrasts

As winter comes upon us quickly, the vibrant colors of autumn give way to earthy tones, the time before white snow blankets the landscape and creates a scene of purity. This is an abstraction, a composition of this in-between time; branches devoid of leaves darkly contrasting in the moody blue colors.

Technical Details:
Canon 50d, 300 f/4l + 1.4tc, f/5.6, 1/640 Sec.
DeSoto National Wildlife Refuge, Iowa Side

This photograph is available on my website at: Winter Contrasts - Tree branches contrast in a moody blue scene.

Photo Friday: Autumnal Brillance

Autumnal Brillance

Although autumn was fleeting in Nebraska and Iowa this year, there were some hold outs after the snowfall. This maple tree turned brillant warm oranges and reds two weeks after the storm and managed to hang on to a majority of its leaves during some pretty gusty times. I couldn’t help but stop and capture the vibrant colors with the setting sun filtering through the leaves.

Technical Details: Canon 5d Mark II, 17-40 f/4l @ 17mm, f/14, 1/80 sec.
DeSoto National Wildlife Refuge, Iowa Side

This photograph is available on my website at: Autumnal Brillance - A Maple Tree Bursts into Vibrant Oranges and Reds

Announcing “The Quiet Beauty of Nebraska”

For the past few weeks I have been putting the final touches on my book “The Quiet Beauty of Nebraska”.  I’ve neglected my blog and some other duties, but I am finally ready to make it available.  Comprised of over 40 photographs from across the state of Nebraska, this book focuses on the scenic landscape, nature, and native wildlife that I have travelled far and wide to capture. 

To see a preview of the book and/or purchase, please take a look, it would make a great gift for the upcoming holiday season!
 

By Derrald Farnsworth…

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