Marketing Photography, Part II: Educating Your Market

Photograph - Listen to the Calm
A Non-”Corn” Nebraska Landscape

Alain Briot, a successful photographer, especially in the print medium recently wrote an article regarding pricing fine art photography.  Within the article he proposes the following:

  • Most people cannot tell average photography from good photography
  • Most people cannot tell good photography from very good photography

 

I agree with Mr. Briot’s assertions, with the addition of the following:

The majority of people that can tell good photography from very good photography are photographers themselves and photographers rarely purchase other photographer’s work. From my experience with art shows I can tell you that about 85% of my conversations are with fellow photographers and revolve around how I got the shot or where I was at the time. An astounding 80% of those conversations are discussions surrounding equipment. Majority Result? No sale.

Following my extension of Alain Briot’s logic then the majority of individuals who would appreciate the efforts and beauty of great art is would never buy great art. In order to help your customer’s make their decision in your favor, you need to educate them. This is true whether speaking about a print, a stock item, or assignment work.

For example, I photograph a diversity of landscapes and nature surrounding the American Great Plains. I travel hundreds of miles to ensure that what I get is unique, but distinctly “Great Plains”. The majority of these images were captured in Nebraska. Through my website and various other channels, I am contacted by companies who wish to use photography captured within the state of Nebraska for their marketing. Often, an immediate assumption made by individuals outside of Nebraska, that the state is pretty synonymous with “corn” or “crops”. As a result, they ask me what stock images I have of corn. The number? I have 1 image of corn taken in Nebraska.  It is at this point that I usually try to help the agencies or purchaser understand that while corn is an important aspect of Nebraska, it is not the only aspect.  Indeed, close to a million people in the state of Nebraska never even see a corn stalk for the majority of the year.  That’s the majority of the populous of Nebraska.  On first blush, “corn” seems to be the winner, but upon deeper inspection there maybe a stronger, less cliched possibility.

In order to educate your market, you need to be fully knowledgeable on your images.  That means, if you captured an image of an animal, you need to know what kind of animal it was.  If you are capturing a landscape, you need to know where you captured it - Park name, city, county.  If you are capturing a plant, you should know the name of the plant.  Additionally, you need to know when it was taken - ie Month, year, time of the day, etc.  If it was during an event, you should know the details of the event.  All this means taking good notes and creating an encyclopedia of information.  People like to know the stories and information behind the images and so the more information you can provide, the stronger the educational experience and the more likely a sale. 

Technical Details:
Canon 5D Mark II, 17-40 f/4l @ 17mm, f/13, 5 sec., 2-stop Hard Singh-Ray Filter
Jack Sinn WMA, Nebraska

5 of the Most Ridiculous Excuses to Buy More Camera Hardware

Fractured Glass

#5 But honey, I need to be able to photograph our vacation!

#4 But honey, I need to take better photographs of the children!

#3 If I could just get a little wider/longer I would have been able to get that shot!

#2 This will make my photographs better than Adams/Rowell/etc.!

#1 I’ll finally be able to sell my photographs!

Technical Details:
Canon G10
Platte River State Park, Nebraska

Tips for Cold Weather Photography

Ice Blue

Cold weather photography brings purifying white snow, ice kissing the grasses and trees, and of course the crisp, cool (or cold!) air.  Additionally, it usually drives away the crowds and makes for some great one on one time with nature.  Of course, in order to enjoy this there are a few items to keep in mind to keep you comfortable and safe!  I’ve placed the items of personal safety above the photography items.  Remember, if you’re not safe then it’s not a good idea to be out shooting!

1. Wear clothing that wicks away or repels moisture.  Leave those blue jeans and cotton socks at home!  Nothing is more miserable than trudging through snow and having it melt into cold water as soon as it warms up.  Additionally, wearing shirts that absorb sweat only cause your temperature to drop, which could be dangerous.  Ideal fabrics would be wool, Under Armour, fleece, and Gore-Tex.  When I’m out in the frigid weather, I pull on an Under Armour top and pants, fleece pants, wool socks, and then some Gore-Tex pants on top of that. 

2. Wear appropriate shoe wear.  Get some waterproof, breathable snow boots.  Cold, wet feet make for a shivering time, and could increase your chance of getting frostbite.  Is getting the shot worth losing your toes?

3. Wear a hat.  Seems basic enough, most of the heat of our bodies escapes through our heads so use your head!

4. Wear gloves.  In some conditions frostbite can set it very quickly.  Without fingers capturing photographs can be difficult!  One of the basic problems of photography is that gloves make it hard to change the controls on your camera.  This is something that plagued me for years.  I used to wear thin gloves that would allow better finger mobility, but this caused them to get cold too soon and once your hands get cold, its difficult to rewarm them in thin gloves.  I then got a another pair of gloves to put over those gloves so I could take off the top pair only when needed.  While this worked ok, I really found that finding gloves that grip well were my best bet.  I got a pair of Thinsulate gloves with some nice grip that allows me to work every aspect of my camera without removal, of course this took some trial and error.  If you must have the thin gloves to have better control, get the two pair of gloves as I have mentioned, but use a hand warmer between the two layers.

5. A good time for any occasion, bring a complete extra pair of clothes in your vehicle.  You never know what may happen that may force you to change your wear.  There have been times I couldn’t tell the end of a stream or shore under the snow and happened to step through the ice and drench my feet.  The extra pair of boots and socks came in handy!

6. Another good anytime tip, prepare your equipment prior to exiting your vehicle.  Minimize the snow and moisture that gets into your bag by knowing where to quickly reach what lenses, filters, etc. you need. 

7. Have a travel umbrella.  Good for rain or snow, this keeps droplets off your lens.  If those stray flakes and drops hit, keep a cloth lens cleaner handy.

8. Bring Ziploc bags.  Besides being able to be used to protect your gear in the cold when conditions arise, if you exit and enter your vehicle often, condensation on your equipment can occur.  By placing your camera in a bag prior to entering your car, you can keep that condensation off your lens and prevent fogging.

9. Cover the legs of your metal tripod with insulation.  This prevents loss of heat from your hands when you are carrying or otherwise moving your tripod.

10.  Buy a spare battery and keep it in a pocket close your body.  Cold weather drains a battery about 2-3 times faster than mild temperatures.  Most good winter coats have pockets on the inside which work fabulously for this purpose.  Additionally, keep a spare memory card in those pockets. 

11.  If metering evaluative, expose 1.5-2 stops above the recorded scene to properly capture snow.

12.  Drink something warm before enjoying the cold weather!

Technical Details:
Canon 5d Mark II, 50 CM, f/11, 1/80 sec.
Platte River State Park, Nebraska

How to Get Sharp Enlargements: Breaking the Megapixel Myth

Last Light At Maligne Lake

Myth: More megapixels will always lead to a sharper enlarged image.

This is without a doubt the greatest myth perpetuated by the camera industry today.  Marketing tells us more megapixels=better camera.  Back in the film days there were only a few choices, 35mm, 4×5, 8×10, 110, etc. In those days, (with a few exceptions, of course) the film size DID dictate how far an enlargement could be taken.  I remember years ago taking my 35mm black and white film that I had developed in the dark room and making test strips, then enlarging it to 6×9 and then to 11×14.  The sharpness of the image would begin to break down around that point.  The three main things I had to remember in achieveing the sharpest, largest prints in those days was 1: Shoot big film. 2: Proper focus when taking the photograph and 3: A grain finder.  For those of you who don’t know what a grain finder is, well, let’s just say its the equivalent of 100% zoom in Photoshop.

So, if larger film led to sharper, larger enlargements, shouldn’t more megapixels do the same thing?  I mean after all all those technical sites speak about resolving power and lines per inch and its always better bigger - right?

Well, the answer is somewhat elusive and lies in three basic parts.

Read the rest of this entry »

Announcing “The Quiet Beauty of Nebraska”

For the past few weeks I have been putting the final touches on my book “The Quiet Beauty of Nebraska”.  I’ve neglected my blog and some other duties, but I am finally ready to make it available.  Comprised of over 40 photographs from across the state of Nebraska, this book focuses on the scenic landscape, nature, and native wildlife that I have travelled far and wide to capture. 

To see a preview of the book and/or purchase, please take a look, it would make a great gift for the upcoming holiday season!
 

By Derrald Farnsworth…

From the Photo Archives: A Touch of Light

A Touch of Light

In summer of 2006 I had the pleasure of photographing the Columbia Gorge region of Oregon. Since Nebraska is not known for waterfalls, I really wanted to get out and see the many that the region had to offer. Unfortunately, due to multiple issues with United Airlines, we missed over an entire day of visiting this serene area, but I did make a point to visit the grand Multnomah Falls.  Besides photographing the waterfall in its entirety as many do, or even half of it with the bridge, which is also common, I choose to put on my 70-200 with a 1.4x teleconverter and selectively photograph various sections of the falls. In this particular image, I focused on the rainbow that was created as a small slice of light was hitting the falls.

Technical Details:
Canon 20d, 70-200 f/4l + 1.4tc @ 198mm, f/16, 1/8 sec.
Multnomah Falls, Oregon

This image can be viewed on my website at: http://www.journeyoflight.com/journey06/photo.asp?pictureid=ATouchofLight&xmlfile=/journey06/xml/color/pacificnorthwest.xml&x=0

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