Dreamy LeafPosted by admin on March 28th, 2008

Today at the arboretum, I continued to explore the textures on the logs and trees. I found this fallen leaf that still had some pigment and I liked how the leaf contrasted with the design on this recently wet log. Since the day was very overcast I have very little light and no tripod so I had to use a shallow depth of field. When I reviewed the image I liked the dreamy effect that was created. I increased this feel by utilizing the Orton technique.

Technical Details:
Canon 5d, 50 CM lens, f/7.1, 1/100 sec.
OPPD Arboretum

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

Pine Cone DesignsPosted by admin on March 21st, 2008

For today’s image I went to the arboretum and worked on extremely up close shots of pine cones. I particularly worked on keeping a small depth of field which creates a very small area of focus. I wanted to create a little more of an abstract feel to this pine cone. This is a good example of how small the depth of field is in macro work. This particular photograph was taken with an aperature of f/5, which is fairly shallow, but is extremely shallow here, leaving only the very tips of the pine cone closest to the camera in focus.

Technical Details:
Canon 5d, 50 CM lens + extension tube, f/5, 1/160 sec.
OPPD Arboretum

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

Snail SpiralPosted by admin on March 17th, 2008

Today I took a short walk through Platte River State Park in eastern Nebraska. It was fairly overcast and still a bit muddy, but there were bits of green appearing so it was a good day to focus on macro. After walking for a bit, I entered a small clearing of trees that I explored carefully looking for interesting items. I came across a snail shell whose owner had vacated and I spent the next hour focused on working on this shot.

I composed this shot using the golden ratio which is similar to the rule of thirds. If you are not familar with composition, the rule of thirds states that the primary subject should be placed at a third horizontally and vertically in the frame for maximum effectiveness. The rule of thirds is actually a simplified version of the golden ratio which is 1:1.618. This means that items of importance should be placed at .388 or a little more than a third from each side vertically and horizontally.

Additionally, this photograph follows the golden spiral which encourages the eye to spiral into the most important subject, here it follows the spiral pattern of the shell. This is one of the most blatant examples of the golden spiral I have ever taken, simply because the shell itself is a spiral pattern.

The golden ratio and the golden spiral can be found throughout nature and the more one is aware of this, the most impact your photographs generally have. Of course, like everything these are simply guidelines, which like everything creative, should be broken. I find I follow these rules, but also break them quite often. For more information about both of these compositional guidelines visit: Golden Section and Photography.

Technical Details:
Canon 5d, 50 CM + extension tube, f/10, .4 sec
Platte River State Park, Nebraska

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

Intrinsic PatternsPosted by admin on March 15th, 2008

After a short spell, I finally made it back to the arboretum. The very first hints of spring are just arriving in Omaha and little bits of green are appearing, albeit among some remnants of snow and dead leaves. I took a walk through the mostly wooded portion of the park, stopping to look at some of the interesting patterns on the trees and within the leaves. I have walked by a particular dead log countless times, but for some reason it has never caused me to pause for more than a few seconds. Today was different. As the sun ducked in and out of the clouds, patterns emerged on this log and coupled with the intrinsic lines created a scene I felt compelled to record.

Technical Details:

Canon 5d, 50 CM, f/32, 1/125 sec.
OPPD Arboretum

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

From the Archives: Radiant OmahaPosted by admin on March 11th, 2008

A combination of being ill with having the pre-spring muddy mess outside contributed to another review of the archives. As spring is just around the corner I went through the old season shots to see what I should be getting ready to shoot. I almost skipped over this old downtown Omaha file taken from the Gene Leahy Mall from 2006, but decided to give it another view. I had processed a vertical of this same shot about a year and a half ago and it didn’t give the scene the sense of grandjuer I had witnessed. A new Photoshop version later and more experience with the tools allowed me to process this image more like the actual scene I witnessed. Yes, the godbeams and clouds were actually brilliantly like this, it was a very calm nice spring stroll through downtown. I only used a polarizer, I didn’t even carry my tripod with me. Goes to show what you can capture when you make sure to have your camera with you.

Technical Details:

Canon 20d, 10-22 ef-s lens @11mm, f/11, 1/200 sec., Polarizer
Downtown Omaha (June, 2006)

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

From the Archives: An Eastern Nebraska FieldPosted by admin on March 7th, 2008

For today’s image I dug deep into the archive, way back to May of 2006 and found this image. On this day in May my wife Holly and I had been on a driving excursion looking for hay bales to photograph. We didn’t find any, but we found this field and I stopped and snapped a few images. I have never processed this image previously since it did not have the dramatic landscape light that I prefer. While going back through my old images again, however, I stopped on this image due to the contrasts between the yellow of the field and the cyan in the sky. Further exploration fo this image led me to the barn and the trees in the background of the image. I consider this to be a stereotypical Nebraska image, which I sometimes try to avoid, but it is still a serene view. Incidently, this was taken the same evening as one of my most popular photographs, “A Country Road”.

Technical Details:

Canon 20d, 10-22 ef-s @ 22mm, f/10, 1/60 sec., May 2006
Eastern Nebraska near Greenwood (I think)

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.